Anyone who originally discovered Jonny Lang through his searing instrumental work will revel in the huge guitar tones and go for broke solos on Signs, while those who have appreciated his growth as an honest and passionate songwriter will find that honesty and passion unabated. Though he long ago left blues purism behind, Lang has never abandoned its spirit of universal catharsis through the relating of personal trials. Signs reaffirms his commitment to the blues and the guitar without sacrificing the modern approach that has made him such a singular artist.
It is hard to believe that at only 36 years old Jonny Lang has already had a successful career for two decades. Easier to believe when you learn he released his first platinum record at 15—an age when many young people are just beginning to play music. Lie to Me revealed a talent that transcended the crop of blues prodigies floating around in the late Nineties. No flashy re-hasher of classic blues licks, even at that early age Lang was a full-blown artist with a style of his own. Also, setting Lang apart from the wunderkind crowd was a 15-year-old voice that sounded like a weathered soul shouter. Actual life experience was yet to come, and has been subsequently chronicled in a series of five uniformly excellent recordings.
What began as a bluesy sound, influenced by electric pioneers like Albert Collins, B. B. King, and Buddy Guy, evolved over those recordings into a modern R&B style closer to Stevie Wonder and contemporary gospel music. Lang’s distinctive, blues-inflected licks appeared on every album, but became one element in a sea of passionately sung and tightly arranged songs.
Signs is not merely a return the artist’s guitar-based beginnings, but an embodiment of an even more elemental sound. Beyond focusing attention on his soloing prowess, it is about recapturing the spirit of the early blues, where the guitar was front and center, fairly leaping out of the speakers. “A lot of my earlier influences have been coming to the surface, like Robert Johnson, and Howlin’ Wolf,” he reports. “I have been appreciating how raw and unrefined that stuff is. I had an itch to emulate some of that and I think it shows in the songs. Still, I let the writing be what it was and that was sometimes not necessarily the blues.”
The record, which features funk, rock, and blues elements, is held together by Lang’s distinctive playing and singing, and the lyrics, which center on themes of embattlement and self-empowerment. “Some of the songs are autobiographical, but not usually in a literal way,” Lang explains. “The main goal is for folks to be able to relate to what I went through. If I can’t make it work using just my personal experience, I use my imagination to fill in blanks.”
Signs was produced by Lang, Drew Ramsey, and Shannon Sanders. Josh Kelly helmed “Bring Me Back Home.” Lang offers, “Josh and I cut six or seven songs together and had a blast doing it. I am saving the other ones for who knows what, but I definitely wanted that one to be on this record.”